INTRODUCTION

Have you ever wanted to capture that perfect scene when travelling only to find your skies are washed out or your foreground is in dark shadows?. Many people we meet simply want to take natural-looking images that closely represents what they see on their travels. In high contrast scenes, your eyes will reveal shadows and at the same time see blue skies. However, if you take a photo of the same scene, your shadows will be dark and your skies white.

This is where HDR photography becomes an indispensable tool for the travelling photographer. Unfortunately, the camera sensor simply cannot capture the full spectrum of light and shadow in one exposure. This is especially the case for those that have APS-C or Micro Four Thirds sensor cameras. Most Full-Frame sensor cameras now have a very good dynamic range and the need for bracketing images is usually reserved for extreme dynamic range scenarios. We currently use a Sony A7Riii, which is a 42mp full-frame sensor camera with an extremely good dynamic range and therefore rarely bracket our images anymore unless in extreme cases.

The only way that you can capture these scenes is by taking bracketed images and blending them in software. There are 2 options for blending the images-

1. Luminosity Blending – this is a huge learning curve and requires Photoshop and additional editing although the results are great if you are prepared to invest the time. Visit Shutter Evolve for some great info on this process.
2. HDR software – most editing software now has features that allow you to combine multiple images. We originally used Photomatix, and then Skylum Aurora, both of which are dedicated programs for creating HDR images. However, Skylum Aurora is no longer available as it was integrated into their flagship app Skylum Luminar Neo. These days, you can use other great software to merge HDR images, such as Photomatix, ON1 HDR, ON1 Photo RAW, and Adobe Lightroom, just to mention a few.

SO WHAT IS HDR EXACTLY?

The actual initials stand for High Dynamic Range, but simply put, it refers to the combination of more than 1 image with varying exposures depending on the light that you are shooting in. Generally speaking, most HDR images are created with a bracket set of 3 exposures (eg, -2, 0, +2 OR 2 stops underexposed (-2), normal exposure (0), 2 stops overexposed (+2)). These 3 exposures will cover 95% of your HDR requirements; however, in extreme situations where contrast is very high, such as a sunset, you may find that you may need another shot or two underexposed to include in the bracket set. 

Below is a typical scene in Venice, Italy where we would use the HDR technique. This was shot on an APS-C sensor camera with limited dynamic range. The first image is how the camera perceives Normal exposure. The sky is nice, but all the detail is lost in the foreground. As this is shot in RAW, we would still be able to get a half-decent image by lightening our foreground in Lightroom; however, if you are shooting JPG, then there is very little latitude to lighten these shadows without introducing artefacts such as noise (grain). Also, notice on the left-hand side there are 2 people walking; this movement is easily controlled by using the deghosting feature in the software.

Q. So, how do I take an HDR image?

A. Easy, however, there are some very important rules to follow to achieve the best results.

1. If possible always try to use a tripod for best results, however, hand-holding HDR shots is not a problem these days as the software is great at aligning your image
2. Always shoot in Aperture Priority mode (A, Av) as your aperture MUST remain the same for all the shots. If using a tripod you can also use Manual and adjust the exposure manually, however, this is slower and it is best to try and get all the exposures as quick as possible
3. Always try to shoot at a low ISO to reduce noise (grain) in your images which tend to get magnified when shooting at higher ISO settings. Avoid using Auto ISO as your camera may select a high ISO setting in low light.
4. If shooting RAW files then AWB (Auto White Balance) is fine as you can easily adjust your White Balance to be consistent with all the files. However, if shooting JPG files then we would suggest you manually set White Balance based on the lighting condition (eg. Sunny, Shade, Cloudy etc)
5. Set your cameras bracketing to 3 shots (with 2 stop increments) giving you a -2, 0, +2 bracket set. Check your camera manual to see what bracketing options you have. As mentioned above, if you do not want a 2 stop overexposed shot simply set your Exposure Compensation (usually a +/- symbol) setting to -1 if shooting in A/Av mode. This will then result in 3 shots (-3, -1, +1). When shooting in A/Av mode the Exposure Compensation will only affect your shutter speed.
6. Set your camera’s Drive Mode to Ch (Continuous High). This will ensure that the 3 images are taken in quick succession. If your camera allows you to set Custom Buttons on the camera, then set up points 4 & 5 as a preset for easy access.
7. As mentioned in our TIP above. One of the most important factors when hand-holding the camera for HDR images is ensuring that your base exposure allows for the overexposed shot. For example, if the light is a little low and your base exposure is 1/60th second, which is generally fine to handhold a single shot, then your 2 stops overexposure (+2) in your bracket set will be 1/15th sec. This shutter speed will almost always result in this image being unsharp. In this example, the alternative is to use a tripod or increase your ISO. By increasing your ISO from 100 to 400, you will get a base exposure of about 1/200th, which will allow you to handhold the overexposed shot.

Q. My camera has an HDR setting. Why should I take 3 shots when my camera will give me an HDR image in a single shot? 

A. Great question. Glad you asked 🙂

Simply put, we have not seen one camera yet that has this feature that can produce as good an image as using the technique above. Some cameras give you a merged image only, if this is the case we would suggest you do not use it. If your camera gives you a merged image and keeps your 3 files as well then it may be worth trying this feature. If you are not happy with the in-camera merge then at least you will have the 3 files to process in the software. 

Q. How do you capture HDR images when there is movement in the scene?

A. Don’t worry about movement in your shots. 

OTHER FACTORS TO CONSIDER 

We have been shooting and using HDR software since about 2010. The best software on the market for many years was Photomatix Pro, which yielded great results (and still does); however, we now use  Skylum Luminar Neo and Adobe Lightroom. However, Luminar Neo has the added benefit of allowing single images to be dragged into the module for enhancement. Other applications require you to select multiple images for the feature to work. Also, unlike Photomatix, Skylum Luminar Neo is an all-in-one editing programme. Not only will it align your bracket sets, but it also gives you the full power of editing every part of the image (including heaps of free Presets), rather than using a secondary application for further editing. It is also a ‘standalone’ product, which means that you do not need Lightroom or Photoshop to access the software; however, it also acts as a plug-in if you do want to use it in conjunction with LR & Photoshop.

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Q.Wow, it all sounds complicated.
A. Well, not really.

It’s actually very simple. The software is the easiest part. The hardest part is determining when you need to shoot HDR brackets. There’s no point shooting an HDR on an overcast day as the contrast is low and your camera sensor will be able to capture the exposure in a single image.

Q. So, how do I get it?
A. Simple

Check your computer minimum requirements as stated below and then simply click on the banner below or any of the links in this post

So, if you really want to vastly improve your travel images (and images in general) then we would suggest that you download the trial version of this wonderful software and give it a try.  Below are the minimum requirements for your computer before downloading and a 17min video to watch.

CONCLUSION

These days, HDR seems to be a dirty word amongst photographers, and admittedly, the quality of camera sensors has improved vastly, with many sensors providing a huge dynamic range. In the majority of scenes, you will not need to shoot bracketed images anymore depending on the size of your camera’s sensor; however, as of 2025, and shooting with a Sony A7Riii Full Frame sensor camera, we still shoot a 3-shot bracket of extremely contrasty scenes. On a recent 6-week trip to Italy and Greece, we continually used this method in extremely contrasty situations such as alleyways, etc. So, is it still a valuable tool in Travel Photography? You bet your bottom dollar it is. Unless you want noisy shadow areas in a single image when editing the shadows, then bracketed images (HDR) are still a very useful tool in travel photography.

If you have any questions or comments we would love to hear from you. 

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